The white mob, including members of the Ku
Klux Klan, engage in a mad and evil hunt of a black man whom they falsely
believe raped a white woman. The woman in fact cheated on her husband and was
beaten by the white man whom she had sexual intimacy with. However she falsely
accused a black man of sexually violating her, and the mob mentality escalates
in an all out war against Afro-Americans who are falsely accused of collusion
in the incident, many of them innocently killed, and their homes and property
destroyed.
There are two heroes in particular in the
movie, Mann (Ving Rhames) an Afro-American WW I veteran and John Wright (Jon Voight)
a white merchant, both of whom protect and orchestrate an escape of the
Afro-Americans out of Rosewood onto a train. There are other whites who also
are not racist and protect the Afro-Americans—those who run the train and a
group of armed white men from a the next community who stop the mad vigilante
men of Rosewood from pursuing further the blacks. The sheriff of that community
speaks well of the Afro-Americans, stating that they are law-abiding citizens.
Another motif of the movie was how strong
matriarchs like Aunt Sarah (Esther Rolle) were the respected pillars of the
Afro-American family system, and even earned the respect, grudgingly, of the
mob sheriff.
The movie all-in-all is what I would refer
to as in the genre or category of: “reveal the truth even if it enrages,
offends, upsets, and disturbs the audience with explicit acts of violence fuelled
by evil, false, dehumanizing, hate-filled language.” Not an easy movie to watch,
yet highlighting such biblical truths as: love your neighbour; do not bear
false witness against your neighbour; and in Christ there is neither Jew or
Gentile, slave or free, male or female, [white or black]; for all are one in
Christ Jesus.
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