Book Review: Just A Mother

Just A Mother

Author: Roy Jacobsen, Translated from the Norwegian by Don Bartlett and Don Shaw

Publisher: Biblioasis, paperback, 318 pages, including Glossary

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

Roy Jacobsen was born in Oslo, his family was from northern Norway. He has written over 15 novels, and is a Norwegian Academy for Language and Literature member. In addition to this novel, Jacobsen has written 3 other Ingrid Barrøy Novels. The Unseen, the first one about Ingrid and her family, was a phenomenal bestseller in Norway and was shortlisted for the Man Booker International Prize and the International Dublin Literary Award, selected as an Indie Next pick in North America, and named a New York Times New and Noteworthy book. The Kirkus-starred and critically acclaimed White Shadow, the second Barrøy novel, was published in North America by Biblioasis in 2021 and followed by Eyes of the Rigel in 2022. 

Brief Observations

It is sometime after World War II. Ingrid, the protagonist, who is referred to as “just a mother,” (p. 310), the novel’s title, is a member of the Barrøy family, and as a young woman she inherited from her parents, Hans and Maria, Barrøy Island in northern Norway. Ingrid had given birth to her daughter Kaja. The father of Kaja, Alexander, a Russian P.O.W. had been rescued from the wreck of the Rigel. Ingrid also raised Felix and Suzanne after the death of their parents, Zezenia and Oskar Tommesen. In addition to these children, Ingrid also took in a girl named Nelvy who died young, and Mathias—also referred to as Mattis—son of Olavia Storm and a German officer, Ottmar Ehrlich. After the disappearance/abandonment of Olavia, and the death at sea of her husband, Johannes Hartvigsen, who was twice her age, Ingrid, with the assistance of Pastor Samuel Malmberget, eventually adopted Mathias.

Pastor Samuel studied in Germany, expounds on Luther’s Bible, and likes to show up for surprise visits of his parishioners. Regarding himself as shy, he and Anna Karina Storm marry.

Barbro is Ingrid’s aunt, sister to her father Hans. She is the mother of an adult son, Lars, named after a Swedish worker on the island who may be his father. Barbro lives with Ingrid, offers hospitality to visitors, helps out with chores, and sings in the church choir. 

The novel goes on at length to describe the isolated way of life on Barrøy Island, relying on boats to bring in supplies, mail, etc., no electricity, struggling to eke out a living with gardens, fishing, animals, and collecting eider down.

Mariann Vollheim was another lover of Alexander, after Ingrid. She is married to Olav, and lives in Trondheim with her daughter called Little Ingrid. Ingrid Barrøy and Mariann communicate with each other via letters, and have somewhat of a complex and conflicted relationship. However Mariann arranges for Kaja and Mathias to attend school in Trondheim. Mariann inherited an estate, and was a teacher at the Trondheim Cathedral School. 

There is a lengthy process of selling local properties in order to build a new school. Ingrid employs stalling tactics to try and get as much money as possible for the Johannes Hartvigsen property, the proceeds of which would be given to Mathias. 

The men of the community travel to Lofoten to fish during the winter months. However one year that changes, and Barrøy is never the same again. 

The novel highlights, among other things: the importance of and tension within community relationships, childhood curiosity, traditional rural island and modern urban life, individual and collective identity in relation to the environment, psychological and theological issues such as guilt, shame, grief, anger, doubt, faith, sin, and the absence or presence of God in the lives and deaths of humans. 

I’m not certain if the author or publisher chose the title for this novel. However, given the complexity of human beings, Ingrid is certainly more than “just a mother.” She is a niece, a mentor and community leader, a gardener, a farmer, a neighbour and friend, from a faith perspective a child of God, and so on. 

The novel leaves this reviewer wondering if Roy Jacobsen will publish a fifth Ingrid Barrøy Novel, since the ending leaves readers curious about the future of a number of characters, including Ingrid.

Book Review: A New Name: Septology VI-VII

A New Name: Septology VI-VII

Author: Jon Fosse, Translated from the Norwegian by Damion Searls

Publisher: Transit Books, paperback, 197 pages

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

Jon Fosse, was born on the west coast of Norway and is the recipient of countless prestigious prizes, both in his native Norway and abroad—including the 2023 Nobel Prize in Literature. Since his 1983 fiction debut, Raudt, svart [Red, Black], Fosse has written prose, poetry, essays, short stories, children’s books, and over forty plays, with more than a thousand productions performed and translations into fifty languages. A New Name is the final volume in Septology, his latest prose work, published in three volumes by Transit Books.

Brief Observations 

This novel—which, at times seems like poetic-prose—is written in what I would categorize as a non-traditional, minimalistic genre. Fosse employs long paragraphs throughout the novel—it begins with about a 3 page paragraph, and ends with around a 4 page paragraph—he only uses commas and question marks, and does not use periods or quotation marks. If you look in a dictionary, you will not find the word “Septology.” I take it to mean Fosse’s exploration of the meaning and mystery of human life. Asle and Asle are doppelgängers, possibly Gura and Gura might be too. The novel abounds with repetitive words, phrases, thoughts, memories, etc. One of Fosse’s favourite repetitions involves the main protagonist, Asle, looking out the window at the Sygne Sea. 

The novel takes place in western Norway. Asle and Asle are both artists. Åsleik is a farmer-fisher, friend and neighbour of Asle. The two of them prepare for their boat trip, and eventually travel over to Åsleik’s sister’s place to celebrate Christmas Eve. Åsleik comes across as somewhat superstitious and a misogynist in that he thinks suitcases and women bring bad luck while travelling in a boat.

The one Asle was married and divorced twice, his first wife was Liv, and second wife was Siv, who also was an artist. The other Asle eventually marries Ales, and both of them are artists. They both attend and later drop out of art school. Asle drops out because he and his teacher realize that he is such an accomplished painter that there is no more he can learn from his teacher. Ales drops out because she wants to study icons and paint them. Ales is a devout Catholic, and Asle converts to Catholicism. Throughout the novel, the Lord’s Prayer, the Apostles’ Creed, the Ave Maria, the shorter Gloria, and the Salve Regina are prayed by Asle in Latin. Asle is influenced by the mystic Meister Eckhart. 

Beyer runs the Bjørgvin art gallery, and eagerly displays Asle’s paintings, thinks they are brilliant works of art, and sells them to customers. Asle thinks his paintings are prayers, confession and penance, and so is all good art and poetry. 

The novel moves back and forth to various times, places and events in the life of the characters. Asle rambles on in a variety of directions—reminiscing, thinking, questioning, remembering, hoping about the meaning of art, poetry, music, the existence and nature of God, life, death, grief, free-will, suffering, and on one occasion states: “but there’s one thing I’m sure of and that’s the greater the despair and suffering is, the closer God is” (p. 61). 

From my humble point of view, this novel gets rather tedious with countless repetitions of words and phrases, and its seemingly fragmented nature, going off in so many different directions without coherent connections, that it makes it difficult to piece together and make sense of a lot of the content. Two-and-one-half out of five stars.