Brief Review: Instrument of Thy Peace

Instrument of Thy Peace – Revised Edition

Author: Alan Paton

Publisher: The Seabury Press, paperback, 124 pages

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

Alan Paton was a South African Anglican layperson, author, teacher, and anti-apartheid social justice advocate. 

Brief Observations 

In his Preface, Paton begins with the following sentence: “This book is written for sinners, and by one of them” (p. 7). In addition to sinners—that includes, of course, everyone—he states: “I wrote also for those who are inclined to melancholy, for those who are inclined to withdraw rather than to participate...[rather than] the building of a more just order of society” (p. 7). 

Paton wrote this volume, of his 21 meditations based on Francis of Assisi’s classic prayer, during the time when his wife of 39 years, Dorrie, was dying of emphysema. He believed: “I was given help to write it” (p. 8). 

Each of the 21 meditations begins with a quotation often from Francis’s prayer or one or more biblical passages. However meditation 17 begins with four quotations from newspapers focussing on the 1967 black riots in several USA cities. In most of the meditations there are other quotations from a wide variety of people and sources, including: excerpts from The Little Flowers Of St Francis Of Assisi, John Bunyan, William Temple, Alexander Paterson, Dag Hammarskjold, Paul Tillich, Ralph Hodgson, Lancelot Andrews, Julian of Norwich, the “Desiderata” by Max Ehrmann, The Brothers Karamazov by Dostoyevsky, Reinhold Niebuhr, and several others. The meditations often end with a prayer by Paton, wherein he concludes with these or similar words: “And help me this coming day to do some work of peace for Thee” (p. 53).

In meditation 3, based on Francis’s petition: “Where there is hatred, let me sow love,” Paton provides readers with his commitment to social justice: “To be the instrument of God’s peace is not to confine oneself to the field of personal relationships, but to concern oneself also with the problems of human society, hunger, poverty, injustice, cruelty, exploitation, war” (p. 20). At the end of this meditation Paton prays this prayer, which highlights his faith, and complements his commitment to social justice, and how he was inspired and motivated by Francis’s petition: “Take all hate from my heart, O God, and teach me how to take it from the hearts of others. Open my eyes and show me what things in our society make it easy for hatred to flourish and hard for us to conquer it. Then help me to try to change these things. And so open my eyes and my ears that I may this coming day be able to do some work of peace for Thee” (p. 22). 

Some of the meditations also contain contemporary anecdotes and insights born out of Paton’s own life experiences. For example, a friend of his who was overanxious could have been thankful for the blessings in her life, rather than being preoccupied with what might happen to her. 

In a couple of meditations, Paton is very honest with his readers concerning the “sinner” part of himself. He admitted that he struggled with and fell short of Jesus’s teaching to love one’s enemies. When someone pointed out to him that as a Christian he could be more joyful, he admitted that there was more room in his life to grow more joyful. 

Although some of the illustrations and contexts may be dated, others, even if dated, are as relative and instructive today as they were in Alan Paton’s day. This is a devotional classic that readers may wish to read periodically to discover insights and inspiration. 

Book Review: Just A Mother

Just A Mother

Author: Roy Jacobsen, Translated from the Norwegian by Don Bartlett and Don Shaw

Publisher: Biblioasis, paperback, 318 pages, including Glossary

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

Roy Jacobsen was born in Oslo, his family was from northern Norway. He has written over 15 novels, and is a Norwegian Academy for Language and Literature member. In addition to this novel, Jacobsen has written 3 other Ingrid Barrøy Novels. The Unseen, the first one about Ingrid and her family, was a phenomenal bestseller in Norway and was shortlisted for the Man Booker International Prize and the International Dublin Literary Award, selected as an Indie Next pick in North America, and named a New York Times New and Noteworthy book. The Kirkus-starred and critically acclaimed White Shadow, the second Barrøy novel, was published in North America by Biblioasis in 2021 and followed by Eyes of the Rigel in 2022. 

Brief Observations

It is sometime after World War II. Ingrid, the protagonist, who is referred to as “just a mother,” (p. 310), the novel’s title, is a member of the Barrøy family, and as a young woman she inherited from her parents, Hans and Maria, Barrøy Island in northern Norway. Ingrid had given birth to her daughter Kaja. The father of Kaja, Alexander, a Russian P.O.W. had been rescued from the wreck of the Rigel. Ingrid also raised Felix and Suzanne after the death of their parents, Zezenia and Oskar Tommesen. In addition to these children, Ingrid also took in a girl named Nelvy who died young, and Mathias—also referred to as Mattis—son of Olavia Storm and a German officer, Ottmar Ehrlich. After the disappearance/abandonment of Olavia, and the death at sea of her husband, Johannes Hartvigsen, who was twice her age, Ingrid, with the assistance of Pastor Samuel Malmberget, eventually adopted Mathias.

Pastor Samuel studied in Germany, expounds on Luther’s Bible, and likes to show up for surprise visits of his parishioners. Regarding himself as shy, he and Anna Karina Storm marry.

Barbro is Ingrid’s aunt, sister to her father Hans. She is the mother of an adult son, Lars, named after a Swedish worker on the island who may be his father. Barbro lives with Ingrid, offers hospitality to visitors, helps out with chores, and sings in the church choir. 

The novel goes on at length to describe the isolated way of life on Barrøy Island, relying on boats to bring in supplies, mail, etc., no electricity, struggling to eke out a living with gardens, fishing, animals, and collecting eider down.

Mariann Vollheim was another lover of Alexander, after Ingrid. She is married to Olav, and lives in Trondheim with her daughter called Little Ingrid. Ingrid Barrøy and Mariann communicate with each other via letters, and have somewhat of a complex and conflicted relationship. However Mariann arranges for Kaja and Mathias to attend school in Trondheim. Mariann inherited an estate, and was a teacher at the Trondheim Cathedral School. 

There is a lengthy process of selling local properties in order to build a new school. Ingrid employs stalling tactics to try and get as much money as possible for the Johannes Hartvigsen property, the proceeds of which would be given to Mathias. 

The men of the community travel to Lofoten to fish during the winter months. However one year that changes, and Barrøy is never the same again. 

The novel highlights, among other things: the importance of and tension within community relationships, childhood curiosity, traditional rural island and modern urban life, individual and collective identity in relation to the environment, psychological and theological issues such as guilt, shame, grief, anger, doubt, faith, sin, and the absence or presence of God in the lives and deaths of humans. 

I’m not certain if the author or publisher chose the title for this novel. However, given the complexity of human beings, Ingrid is certainly more than “just a mother.” She is a niece, a mentor and community leader, a gardener, a farmer, a neighbour and friend, from a faith perspective a child of God, and so on. 

The novel leaves this reviewer wondering if Roy Jacobsen will publish a fifth Ingrid Barrøy Novel, since the ending leaves readers curious about the future of a number of characters, including Ingrid.

Book Review: A New Name: Septology VI-VII

A New Name: Septology VI-VII

Author: Jon Fosse, Translated from the Norwegian by Damion Searls

Publisher: Transit Books, paperback, 197 pages

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

Jon Fosse, was born on the west coast of Norway and is the recipient of countless prestigious prizes, both in his native Norway and abroad—including the 2023 Nobel Prize in Literature. Since his 1983 fiction debut, Raudt, svart [Red, Black], Fosse has written prose, poetry, essays, short stories, children’s books, and over forty plays, with more than a thousand productions performed and translations into fifty languages. A New Name is the final volume in Septology, his latest prose work, published in three volumes by Transit Books.

Brief Observations 

This novel—which, at times seems like poetic-prose—is written in what I would categorize as a non-traditional, minimalistic genre. Fosse employs long paragraphs throughout the novel—it begins with about a 3 page paragraph, and ends with around a 4 page paragraph—he only uses commas and question marks, and does not use periods or quotation marks. If you look in a dictionary, you will not find the word “Septology.” I take it to mean Fosse’s exploration of the meaning and mystery of human life. Asle and Asle are doppelgängers, possibly Gura and Gura might be too. The novel abounds with repetitive words, phrases, thoughts, memories, etc. One of Fosse’s favourite repetitions involves the main protagonist, Asle, looking out the window at the Sygne Sea. 

The novel takes place in western Norway. Asle and Asle are both artists. Åsleik is a farmer-fisher, friend and neighbour of Asle. The two of them prepare for their boat trip, and eventually travel over to Åsleik’s sister’s place to celebrate Christmas Eve. Åsleik comes across as somewhat superstitious and a misogynist in that he thinks suitcases and women bring bad luck while travelling in a boat.

The one Asle was married and divorced twice, his first wife was Liv, and second wife was Siv, who also was an artist. The other Asle eventually marries Ales, and both of them are artists. They both attend and later drop out of art school. Asle drops out because he and his teacher realize that he is such an accomplished painter that there is no more he can learn from his teacher. Ales drops out because she wants to study icons and paint them. Ales is a devout Catholic, and Asle converts to Catholicism. Throughout the novel, the Lord’s Prayer, the Apostles’ Creed, the Ave Maria, the shorter Gloria, and the Salve Regina are prayed by Asle in Latin. Asle is influenced by the mystic Meister Eckhart. 

Beyer runs the Bjørgvin art gallery, and eagerly displays Asle’s paintings, thinks they are brilliant works of art, and sells them to customers. Asle thinks his paintings are prayers, confession and penance, and so is all good art and poetry. 

The novel moves back and forth to various times, places and events in the life of the characters. Asle rambles on in a variety of directions—reminiscing, thinking, questioning, remembering, hoping about the meaning of art, poetry, music, the existence and nature of God, life, death, grief, free-will, suffering, and on one occasion states: “but there’s one thing I’m sure of and that’s the greater the despair and suffering is, the closer God is” (p. 61). 

From my humble point of view, this novel gets rather tedious with countless repetitions of words and phrases, and its seemingly fragmented nature, going off in so many different directions without coherent connections, that it makes it difficult to piece together and make sense of a lot of the content. Two-and-one-half out of five stars. 

Wordless Wednesday - November 13, 2024

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Book Review: Canada and Climate Change

Canada and Climate Change

Author: William Leiss

Publisher: McGill-Queen’s University Press, hardcover, 181 pages

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author 

At the time of this volume’s publication (2022), William Leiss was/is a fellow and past president of the Royal Society of Canada, an officer of the Order of Canada, and professor emeritus at the School of Policy Studies Queen’s University. He is the author of several books, including Mad Cows and Mother’s Milk: The Perils of Poor Risk Communication.

Contents

This volume is the second one of the Canadian Essentials Series, published jointly by McGill-Queen’s University Press and the McGill Institute for the Study of Canada. It contains Tables and Figures, Preface, Introduction, 1 What Is Climate? 2 The Pleistocene and Holocene Epochs, 3 Predictions of Climate Science, 4 Trusting Climate Science, 5 Canada: Negotiating Climate Change, 6 Treaty Framing and Climate Science, 7 Managing the Risks of Global Warming, 8 Canada: Mitigation, Impacts, and Adaptation, Reminiscences and Acknowledgments, Appendix 1: Notes and Calculations for Table 6.4, Appendix 2: The Risk Approach in IPCC’s AR6, Impacts of Climate Change, References and Sources, Index. 

Brief Observations

The author begins by stating that in light of the copious written material on climate change, to write yet another book “might well be regarded as a monumentally foolish endeavour” (p. xi). He refers to the polar ends of the pendulum regarding attitudes toward climate change in fossil-fuel-producing countries, which have paralyzed politicians, thus failing to reduce greenhouse-gas (GHG) emissions for the past thirty years. The audience Leiss hopes to reach is “the educated general reader,” and “secondary-school students, as well as college and university students enrolled in introductory courses” (p. xii).  One of the purposes of writing this volume is to affirm the legitimacy of climate scientists and their research, as well as highlight how countries have responded—or have failed to respond appropriately—to climate science research and reports. 

Leiss suggests that Canada needs to tackle three things in response to climate change/crisis: Mitigation—the how and why of reducing GHG emissions; how Canadians will likely need to adapt to climate change/crisis, and justice/equity—Canadian responses to achieve goals with consequences for all of humankind. 

As early as the nineteenth century, a connection has been made with CO2 (carbon dioxide) and the warming of the earth’satmosphere. It came to the fore again in the twentieth century, but alas, humankind failed to take it seriously enough to do anything about it. 

It wasn’t until 1988, at the International Conference on the Changing Atmosphere: Implications for Global Security, held in Toronto that the Canadian federal government and the governments of other countries started to make promises to reduce GHG emissions. The Intergovernmental Panel on Climate Change (IPCC) has, in thousands of pages, warned the nations of the tragic consequences of ongoing climate change/crisis, which will only worsen if significant action is not taken. However, the agreements, including the one in Paris in 2015 have not been binding. Nations have set goals to reduce GHG emissions by 2030 and 2050. Scientists predict that surpassing a 1.5 degree C warming threshold by 2030, and a 2 degree C threshold by 2050 will likely be catastrophic. So far, Canada and other nations have drastically failed to reach these goals, and most likely will not reach them for a variety of reasons. For example, the oil and gas industry is still funded with billions of dollars, and China is still building coal plants. The developed nations are not spending enough money to fund alternative, environmentally-friendly energy sources in the developing countries. Far too many people doubt the research of climate scientists and live in denial of climate change/crisis. The federal and provincial governments lack the political will to act significantly to reduce CO2 and other GHG emissions. 

This volume is informative, challenging and depressing. Hope for the future is required to motivate citizens, governments and industry to move more quickly to reduce GHG emissions. We need more than analysis, facts and figures, treaties and agreements. Therefore the author could have concluded this volume with a couple of chapters on contributions of First Nations and environmental organisations, and how citizens can connect with them to advocate and work for change and make a difference. Specific stories of what First Nations and environmental organisations are doing and have accomplished would inspire hope for the future. 

Weekend in Black & White - September 6, 2024

 

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Wordlesss Wednesday - August 14, 2024

 

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