Saturday, November 14, 2020

Brief Book Review: Philosophy 100 Essential Thinkers

 

Philosophy 100 Essential Thinkers

Author: Philip Stokes

Publisher: Arcturus Publishing Ltd.

382 pages, paperback

Author

Amazon.com provides the following information about Philip Stokes: "Phil Stokes is married with two children and currently living in Thailand. He teaches English language and Critical Thinking skills at a Thai university, while pondering - ever so slowly - on the prospect of turning his scrivenings into further books. His latest work is an opensource critical thinking textbook written for lecturers and students of philosophy." In addition to this, the author has a blog (essential thinking.wordpress.com), where he states that he studied philosophy at the University of Reading and the University of Bristol. 

Structure and Content

This work is sort of a Reader's Digest version of the 100 philosophers and their philosophy. On average, the author devotes 3-4 pages to each philosopher. So obviously the volume only provides a very brief introduction into the philosophy of each philosopher. In short, it is designed as an introduction for readers who have no or very little background in philosophy. 

Professor Stokes divides the philosophers into several groups: The Presocratics, The Eleatics, The Academics, The Atomists, The Cynics, The Stoics, The Sceptics, The Neoplatonists, The Christians, The Scholastics, The Age of Science, The Rationalists, The Empiricists, The Idealists, The Liberals, The Evolutionists, The Pragmatists, The Materialists, The Existentialists, The Linguistic Turn, The Postmodernists, The New Scientists.

As for content, the philosophers focus (among other things) on everything from the origins of the universe, to dialectics such as mind and body, matter and spirit, good and evil, faith and atheism, universal and particular, individual and collective, to the meaning-or lack thereof-of human existence. 

After reading this volume, I was left with the following question: Why did the author choose these philosophers, and omit others? For example, there are only two women-Mary Wollstonecraft and Simone de Beauvoir. Therefore, I would highly recommend readers to balance this male-dominated volume with any of the following ones: Women Philosophers: A Bio-Critical Source Book by Ethel M. Kersey, Women Philosophers by Mary Warnock, The Philosopher Queens by Rebecca Buxton & Lisa Whiting, A History of Women Philosophers: Ancient Women Philosophers 600 B.C. - 500 A.D. by Mary Ellen Waithe.    

 

Thursday, October 8, 2020

Book Review: The Night Trilogy


Book Review: The Night Trilogy Consisting Of A Memoir, Translated By Marion Wiesel, And Two Novels: Night, Dawn, Day

Author: Elie Wiesel

Publisher: Hill and Wang A Division of Farrar, Straus and Giroux

339 pages, paperback

Author

Elie Wiesel was a Holocaust survivor, award-winning author of 57 books, Nobel Peace Prize winner, professor, and political activist.

Night

In his "Preface to the New Translation" of Night, Elie Wiesel begins by stating: "If in my lifetime I was to write only one book, this would be the one." (p. 5) He then claims that it is the key to understanding all of his other works. Then he goes on to reflect on why he wrote Night. 

Night was a testimony written by Wiesel as a witness to what happened in the Holocaust. It was written as a moral obligation to prevent the enemy from succeeding in erasing their crimes from history. "Convinced that this period in history would be judged one day, I knew I must bear witness." (p. 6)

According to Wiesel: "Only those who experienced Auschwitz know what it was. Others will never know." (p. 7) Hence the necessity of Holocaust survivors being witnesses and bearing testimony to the world.

Wiesel grew up in the town of Sighet in Transylvania. He was a devout Jew who studied Talmud, the Jewish mysticism of Kabbalah and attended synagogue.

Wiesel describes how his mentor, the Beadle, Moishe had escaped from the Nazis and came back to Sighet to warn the people there of how the Nazis were killing Jews and that their lives were in danger. Tragically no one, including Wiesel, believed him. Some thought he was even mad.

No one believed the Nazis would come to Sighet, until one day they did.

When the Nazis came, they systematically destroyed the rights, privileges and freedoms of the Jews in Sighet. They also took their silver, gold, jewelry, and other valuables. Then they were loaded into box cars and taken to Auschwitz-Birkenau. 

On the first day in the concentration camp Wiesel witnessed people being thrown into a burning pit, including young children and babies. Witnessing this evil, he wrote: 

"Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.

Never shall I forget those flames that consumed my faith forever.

Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes." (p. 52)

One day, a young boy along with two men were hanged, and all the other prisoners had to watch. The boy however remained alive for over half an hour. Everyone had to walk past him. Behind Wiesel a man asked: "For God's sake, where is God?" And from within me (Elie), I heard a voice answer: "Where He is? This is where--hanging here from this gallows...."(p. 83)

Wiesel tells of the Jews in the concentration camp participating in the last day of the year--Rosh Hashanah service. Rather than blessing God's name, Wiesel asks God some difficult questions, functioning like a prosecuting lawyer, placing God on trial. 

"How could I say to Him: Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night, to watch as fathers, our mothers, our brothers end up in the furnaces?" (p. 84)

Wiesel goes on to say: "I was the accuser, God the accused. My eyes had opened and I was alone, terribly alone in a world without God, without (sic) man. Without love or mercy." (p. 86)

Wiesel goes on to describe the cruel struggle for survival until the Americans arrived at Buchenwald on April 11, 1945. 

Dawn

In his Preface to this, his first novel, Wiesel describes the setting: Palestine under Great Britain, prior to the state of Israel. He also describes the protagonist, Elisha, a member of the Jewish resistance. Wiesel also mentions some of the questions raised in the novel such as: good and evil, hatred and revenge, terror and justice.

Elisha was a young 18-year-old Holocaust survivor. He left Buchenwald concentration camp to live in France. One day he met Gad, a messenger, who recruited Elisha to join the Jewish resistance Movement for an independent homeland. 

A Movement fighter, David ben Moshe was captured by the English and he was to be executed at dawn--rejecting appeals to show clemency. 

The Movement had captured British Captain John Dawson. Elisha was assigned the responsibility of executing Dawson at dawn.

The Movement told the British that for every Movement member the British captured and executed the Movement would capture and execute a British soldier. Their ideology was to use violent, terrorist tactics against the English to force them out of Palestine. 

"If we must become more unjust and inhuman than those who have been unjust and inhuman to us, then we shall do so. The commandment Thou shalt not kill was given from the summit of one of the mountains here in Palestine, and we were the only ones to obey it. But that's all over; we must be like everybody else. Murder will be not our profession but our duty." (pp. 162-163)

According to the Movement's leader, called the Old Man, they were to live by the eleventh commandment--hate your enemy.

The night before Elisha is going to kill John Dawson, he is plagued with the following thoughts: "He who has killed one man alone is a killer for life. He may choose another occupation, hide himself under another identity, but the executioner or at least the executioner's mask will always be with him." (p. 195)

Day

Day, Wiesel's second novel, is a sequel to Dawn. 

The protagonist in the novel is hit by a taxi crossing Times Square in Manhattan, and struggles between life and death.

Is there meaning in life after Auschwitz? The tragedy of indifference and survivor's guilt are, among others, themes in this novel. 

After surviving surgery, the protagonist's worst enemy was a fever. He tells the doctor: "You see, Doctor, what people say is true: man (sic) carries his fiercest enemy within himself. Hell isn't others. It's ourselves." (p. 245)

The novel then moves to Paris, where the protagonist--who is still not named--meets Kathleen. In the beginning of the book he had been with Kathleen on their way to a movie, when the taxi hit him. 

In his thoughts, the protagonist struggles with theodicy and seems angry with God. "Man (sic) prefers to blame himself for all possible sins and crimes rather than come to the conclusion that God is capable of the most flagrant injustice." (p. 264)

"Yes, God needs man (sic). Condemned to eternal solitude, He made man (sic) only to use him as a toy, to amuse Himself." (p. 265)

The protagonist--a Holocaust survivor, seems like he is Elisha from the first novel, even though he's still not named--suffers from Post Traumatic Stress Disorder, and has nightmares and screams. 

Elisha's thoughts as a Holocaust survivor are imprisoned by the past: "You cannot hide suffering and remorse for long. They come out. It was true: I was living in the past. Grandmother, with her black shawl on her head, wasn't giving me up." (p. 325)

He continues this line of thought concerning survivor's guilt: "We cannot forget. The images are there in front of our eyes. We feel ashamed and guilty to be alive, to eat as much bread as we want, to wear good, warm socks in the winter." (p. 325)

At the end of the novel, a Hungarian artist friend, Gyula, appears. He speaks of life and death and shares his thoughts about their meaning. He leaves by carrying out one final act.

These three works of Elie Wiesel are very sobering, difficult and challenging to read. However, I would recommend them as essential resources on the Holocaust. 


Friday, September 4, 2020

My New Book: Praying The Lectionary Cycle B

My newest book has just been published by CSS Publishing Company. The prayers are based on Revised Common Lectionary semicontinuous cycle B. For more information, and to purchase either a hard copy or ebook, click here

Tuesday, August 18, 2020

My top 10 list of must-listen to Canadian musicians during COVID-19

Alberta: Joni Mitchell
Joni was born in Fort Macleod, Alberta. As a singer-songwriter, she has explored and excelled in several genres, including: folk, pop, rock, and jazz. She was inducted into the Canadian Songwriters Hall of Fame, and appointed a Companion of the Order of Canada. Joni has released at least 19 albums. It is difficult to choose one song of hers. My choice is from her 1994 Turbulent Indigo album. I'd classify it as a lament--appropriate during this time of COVID-19--focussing on the biblical story of Job, Sire of Sorrow

British Columbia: Luke Wallace
Luke Wallace is a young singer-songwriter, folk musician. He has released 5 albums, I'd never heard of him until recently. I was quite impressed. Listen to his latest album, What On Earth here

Manitoba: Loreena McKennitt
Loreena McKennitt was born in Morden, Manitoba, and is a multi-talented musician, exploring and performing: world music, Celtic, and Middle Eastern genres. In addition to her singing and song-writing, she plays the harp, accordion, and piano. She was appointed a Companion of the Order of Canada, a Western Canadian Music Lifetime Achievement Award winner, and Juno Award winner. My favourite song is her rendition of Alfred Lord Tennyson's poem, The Lady of Shalott

New Brunswick: Charles Thomas (better known as) "Stompin' Tom" Connors
Stompin' Tom was a Canadian country and folk singer-songwriter from St. John, New Brunswick. He was inducted into the Canadian Songwriters Hall of Fame, founder of 3 record labels, promoting his own music as well as other Canadian musicians, and a popular Canadian storyteller. One of his popular songs is about Canada's favourite sport, The Hockey Song

Newfoundland and Labrador: Great Big Sea
Great Big Sea was a Newfoundland and Labrador folk-rock band in existence from 1993-2013. The band members were: Alan Doyle, Bob Hallett, Sean McCann, Darrell Power. They interpreted traditional Newfoundland folk songs including sea shanties, which draw from the island's 500-year-old Irish, Scottish, and Cornish heritage. From 1996-2000, they won the Entertainer of the Year award at the East Coast Music Awards. Wave Over Wave is an ode to the sailor's way of life. 

Nova Scotia: Sarah McLachlan
Sarah McLachlan is a Nova Scotia singer-songwriter, who plays: piano, keyboard, guitar, ukulele, banjo, and harp. Sarah is the winner of 9 Juno Awards, and was appointed an Officer of the Order of Canada, and inducted into the Order of British Columbia. She was also instrumental in establishing the Sarah McLachlan School of Music in Vancouver, and which has now expanded to Edmonton, providing music education for inner city children. She is also a member of the Canadian charity, Artists Against Racism. Visit this page on her website to listen to and watch several of her songs, including my favourite, I Will Remember You

Ontario: Bruce Cockburn
Bruce Cockburn is my favourite, all-round, Canadian singer-songwriter. Bruce has had a long, productive, and distinguished musical career, and is still an active musician. Over the years, Bruce has experimented with and excelled in  several genres, including: folk, rock, jazz, blues, to name a few. He has released 36 albums, making him one of the most prolific Canadian singer-songwriters. A person of deep faith, he addresses many contemporary issues in his songs, with a prophetic voice reminiscent of the biblical Jeremiah. It is very difficult for me to choose one of his songs, since so many of them are my favourites. Give a listen to Tried and Tested, on his 2003 You've Never Seen Everything album. 

Prince Edward Island: Gene MacLellan
Although Gene MacLellan was not born in PEI, he lived there several years, where he was active as a singer-songwriter. Many will remember Gene's song, Snowbird, which made Anne Murray famous. Gene struggled with depression throughout his lifetime, and in 1995, tragically committed suicide. He released 4 albums ( a 5th one was released posthumously). I remember first seeing Gene on the CBC TV program Singalong Jubilee, and was immediately impressed with his music. From 1980 until his death in 1995, he performed only in small noncommercial venues such as churches, prisons, and nursing homes. Posthumously, Gene was inducted into the Canadian Country Music Hall of Fame, and given the East Coast Music Association's Dr. Helen Creighton Lifetime Achievement Award. My favourite song is Put Your Hand In The Hand from his 1977 album, If It's Alright With You 

Quebec: Kate and Anna McGarrigle
Sister Kate and Anna McGarrigle were active Quebec singer-songwriters from 1975-2010, until Kate's death in 2010. They performed folk-rock and country-folk genres, and released about 10 albums together, plus collaborating with other musicians, including: Linda Ronstadt, Emmylou Harris, and The Chieftains. In addition to singing and songwriting, they played several instruments, including: button accordion, banjo, fiddle, guitar, piano, keyboard, flute, and harmonica. In 1993, they were appointed Members of the Order of Canada, and in 2004, received the Governor General's Performing Arts Award. One of my favourite McGarrigle Sisters's songs is Travellin' on for Jesus

Saskatchewan: Connie Kaldor
Connie Kaldor is a Saskatchewan-born folk singer-songwriter. Connie started her full-time musical career in 1981, releasing the first of her 16 albums. In that same year, she created her own independent record label, Coyote Entertainment. She wrote the lyrics for Svetlana Zylin's musical, feminist interpretation of the Bible, The Destruction of Eve, which premiered in 1998. Connie is a three-time Juno Award winner for best children's album. In 2003, her television show @ Wood River Hall, debuted on VisionTV. Connie was appointed a Member of the Order of Canada in 2006. One of my favourites (I'm also Saskatchewan-born) is the title track from her album, Love Sask 

What do you think of my list? Do you have other favourites? I'd be happy to find out if you care to share them in a comment below.  





Wednesday, June 3, 2020

Brief Book Review: Forty Days with the Messiah Day-by-day reflections on the words of Handel's oratorio

Forty Days With The Messiah: Day-by-day reflections on the words of Handel's oratorio
Author: David Winter
Publisher: Abingdon Press
138 pages, including: Forward by Simon Over, Introduction, eight sections, and Notes For Group Study

Reviewed by Rev. Garth Wehrfritz-Hanson

David Winter, at the time of publishing this volume, was a priest in the diocese of Oxford and the author of What's in a Word: 40 Words of Jesus for the 40 Days of Lent, also published by Abingdon Press. 
   As the title suggests, this volume is a devotional-meditative work based on G.F. Handel's Messiah. 
   According to Simon Over, Messiah was often revised by Handel to suite a variety of circumstances. 
   The oratorio's text--compiled by Handel and Charles Jennens--is comprised of many Hebrew Bible prophetic passages and New Testament passages of the King James Version of the Bible, and passages from the Psalter of the Book of Common Prayer.  
   One of the concerns of the author is that many people are very familiar with Messiah, and that familiarity may lead to taking the words too much for granted, without appreciating their significance for our faith. Hence Winter endeavours to provide important information about the biblical contexts of the passages; as well as unpack meanings of a few Hebrew and Greek words. 
   The section titles are: The Coming Messiah: Promise And Warning, The Birth Of Messiah, The Life Of The Messiah, The Suffering Messiah, The Risen Messiah, The Messiah King, Life Through The Messiah, and The Triumph Of The Messiah. 
  The volume can be read by sections or as daily devotions; alone or with family members; and along with listening to the music. It could also be a resource for groups. 
   According to Winter: "The text of Messiah is a finely constructed piece of biblical interpretation, bringing together prophecy, narrative, worship, and praise to create an integrated picture of the whole scheme of redemption" (p.10).
   Although some of the devotions are quite inspirational and insightful; I would have appreciated it if the author and/or publisher of this volume had employed inclusive language. A bit more information on Handel, and the context surrounding the composition of Messiah would also have been appreciated by this reviewer.  

Tuesday, May 12, 2020

Book Review: Wolf Willow

Wolf Willow
Author: Wallace Stegner
Publisher: Penguin Books
306 pages, plus Introduction, Suggestions For Further Reading, Acknowledgments, paperback

Reviewed by Rev. Garth Wehrfritz-Hanson

Wallace Stegner was a 20th century, award-winning, American fiction and non-fiction author, who spent several of his childhood years living in Eastend, Saskatchewan. In the novel, Stegner refers to Eastend as Whitemud.
    This volume is difficult to categorize, since it combines history of the Cypress Hills region, autobiography and fiction.
    In a conversation with Richard Etulain, Stegner confessed that he was ambiguous about his identity: “I wasn’t sure whether I was American or Canadian, so I decided I was Norwegian; I took my grandfather’s Old Country name and signed it in all my schoolbooks, which was quite preposterous except that it probably indicated a desire for a continuity that wasn’t there.” (p. xvi)
    The book is divided into four parts, each containing three or more chapters: I The Question Mark In The Circle, II Preparation For A Civilization, III The Whitemud River Range, IV Town And Country, followed by an Epilogue: False-Front Athens.
    Stegner—in contrast to a geologist who said southern Saskatchewan was “one of the most desolate and forbidding regions on earth” (p. 6)--goes to considerable length to describe the geography, ecology, etc., with awe and wonder. “It is a country to breed mystical people, egocentric people, perhaps poetic people. But not humble ones.” (p. 8) He is astounded by the wide-open prairie, the wind and sky, and birds like the meadowlark.
    The Cypress Hills were visited and sometimes occupied by the Métis, aboriginals including Sitting Bull, the Hudson’s Bay Company, and the North West Mounted Police. Stegner observes how ranchers and farmers struggled to survive in the area. He also describes life in Whitemud (Eastend): Main Street, the theatre, church, hardware stores, school, elevator, hotel, the confectionery store, the people who had ambitious dreams for the town, and those who became disillusioned and left.
    One of the deepest memories of his childhood in Whitemud was the “tantalizing and ambiguous and wholly native smell” of the wolf willow shrub. “It is wolf willow, and not the town or anyone in it, that brings me home.” (p. 19)
    Living in southern Saskatchewan during the homesteading days, Stegner states that his education was much different than growing up in Europe with easy access to art galleries, libraries, bookstores and museums. “Education tried, inadequately and hopelessly, to make a European of me.” (p. 24)
    One of the favourite childhood adventures in Whitemud was a visit to the dump ground. Here Stegner and his friends found a wide array of things that sparked their curiosity—everything from old bottles and smashed wagon wheels to bits of metal, worn-out furniture and field mice.
    Stegner admits that many of his contemporaries inherited prejudices about indigenous people without question or thought. He goes on to provide some history of several of the indigenous tribes including: the Blackfoot, Cree, Piegan, Gros Ventres, Crows, and Sioux. He also describes some of the injustices of the settlers towards the Métis and the heroism of leaders like Louis Riel and Gabriel Dumont. According to Stegner, if you wanted to be accepted as one of the ‘in group,’ you had to be a white male, tough, stoic, and prejudiced against all other races, ethnic and minority groups, and all who seemed weak or too aristocratic.
    Reflecting on how Americans and Canadians crossed the 49th parallel, Stegner observes: “Civilization is built on a tripod of geography, history, and law, and it is made up largely of limitations.” (p. 85)
    Stegner greatly admired the cowboy and ranching culture. However, the winter of 1906-07 brought about a major change from mainly ranching to more farming. Stegner describes that unbearably cold winter, which killed lots of cattle, and nearly killed the cowboys in a fierce blizzard. In spite of that Ray Henry convinces his Molly to purchase the T-Down ranch.
    Wallace Stegner was definitely a creative, accomplished storyteller. For this reviewer, who grew up in southern Saskatchewan, it was as if one was transported back in time to re-live one’s life growing up on the prairie.
Those readers who grew up or continue to live in the Palliser Triangle will likely identify with and appreciate this volume.