Book Review: One Hundred Tons Of Ice

One Hundred Tons Of Ice and Other Gospel Stories

Author: Lawrence Wood

Publisher: Westminster John Knox Press, paperback, 184 pages, including Credits, Bibliography, and Notes

Reviewed by Rev. Garth Wehrfritz-Hanson

The Author

At the time of publication, Lawrence Wood was pastor of Fremont United Methodist Church in Fremont, Michigan. Previously he served in Harbor Springs and Alanson, Michigan. He is a graduate of Northwestern University and Garrett-Evangelical Theological Seminary. His writing has appeared in The Christian Century. He is currently senior minister at St. Andrew by the Sea, a community church in Gulf Shores, Alabama. 

Contents

This volume begins with a section entitled Overture, followed by four parts: Summer, Fall, Winter, Spring. Each of these four parts contains several chapters. The chapters are thematic in nature, and the chapter titles often reveal the theme. Here are a couple of examples: In Summer, one title is Dixon, Illinois. In Fall, one title is the Peaceable Kingdom, which also includes a black and white image of the familiar painting of the same name by artist Edward Hicks. 

A Few Brief Examples

In Overture, Wood begins with a wonderful story about a couple and their Newfoundland dog surviving an episode of falling into ice-cold water after the ice they were on gave way. Afterwards, the husband became more cognizant of the holy in the ordinary stuff of life. Wood then goes on to cite a quotation from an insightful ninety year old layperson: “The last book of the Bible is still being written, and I’d like to add a verse or two.” Wood then suggests: “Maybe that is what preaching is all about—telling the sacred story of our own day.” (p. 2) 

In Summer, Wood shares a story about actor Fred Astaire and commercial exploitation. Another story I’d never heard of relates how “The Great Molasses Flood” (pp. 34-35) was a disaster killing and injuring many.

In Fall, Wood tells the story of Mr. Jefferson’s Bible and the Jesus Seminar—both of which decided what sayings and doings of Jesus were authentic, ending up with much different Gospels than those in the canon. We need the variety found in our canonical Bible. In Jesus and Mrs. Fish, Wood tells the story of the affluent Mrs. Stuyvesant Fish. She was not impressed with high society and ostentation, yet she extravagantly entertained them. She epitomized the greed of “more is never enough,” saying: “We’re not really rich. We have only a few million.” (p. 88)

In Winter, Wood ponders the question, what did Jesus look like? He includes the legend of Veronica’s handkerchief image of Jesus’ face; the legend of the Shroud of Turin; Michelangelo’s Jesus; French painter Leon Lhermitte’s portrait of Jesus; and Warner Sallman’s familiar portrait of Jesus. Wood concludes: “We are created in the image of God and are called to be the body of Christ, and believe it or not, that is his true likeness.” (p. 116) In the book’s title story, One Hundred Tons of Ice, readers will discover the story of “the Ice King,” (p. 142) Frederic Tudor, and where he sold the ice. It is a story of “one person’s ‘junk’ is another person’s treasure.” Everyone and everything is useful to God. 

In Spring, Wood includes a story called Here Today, in which readers learn about John James Audubon and his encounter with what he estimated were one billion passenger pigeons in 1813. By 1914, the last bird died in the Cincinnati Zoo, making the species extinct. The Old Rugged Cross, as the title suggests, relates the story of the hymn’s origins. Wood also reflects on Simon of Cyrene carrying Jesus’ cross as well as the would-be followers of Jesus carrying their crosses. 

Pastor Wood shares some priceless stories in this volume—stories that are endorsed by Professors Thomas G. Long, David Buttrick, and William H. Willimon on the back cover. Highly recommended to preachers and others who love stories.