Book Review: The Cellist Of Sarajevo

The Cellist Of Sarajevo 

Author: Steven Galloway

Publisher: Vintage Canada, a division of Random House of Canada Limited, paperback, 261 pages

The Author 

Steven Galloway, at the time of this publication, authored two other novels, and was a professor who taught creative writing at the University of British Columbia and Simon Fraser University. However, he was dismissed from the University of British Columbia because of charges of sexual misconduct and bullying. According to the Canadian Encyclopedia, one charge was substantiated, an extra-marital affair with a student. 

Format

The novel is divided into four parts, each having a few chapters, which focus on the three main characters: Arrow, Kenan, and Dragan. The cellist is an unnamed, and in a sense, minor and mysterious character in the novel. There are a few other characters not portrayed or developed in great detail. The novel concludes with an Afterword, in which Galloway explains the true life cellist, Vedran Smailovic; actually did play Albinoni’s Adagio in G Minor for 22 days, where 22 people lined up to buy bread were killed.

Some Observations

Sarajevo is under siege; principal cellist of the Sarajevo Symphony Orchestra looks out his window; he sees many of his friends and neighbours lined up on the street; waiting to buy bread. A bomb exploded and killed them. The cellist puts on his tuxedo; takes his cello down onto the street; and proceeds to play Albinoni’s Adagio. He did this for 22 days, each day to honour the dead. 

A sniper who names herself Arrow successfully has escaped from being shot by other snipers.

Kenan, husband of Amila, and dad of three children worries about the dangers of travelling to the brewery to collect enough water for the family and their widow neighbour, Mrs. Ristovski. Will he make it back home safely, or will someone shoot him? 

Dragan, a sixty-four-year-old baker remembers how Sarajevo was prior to the war—or at least how he thought it was. He sent his wife and son to Italy, hoping they’ll be safer there. Every time he goes to the bakery he risks being shot by a sniper. He is grateful for his work, and through it he has access to food, which he shares with his sister, brother-in-law, and their family. He lives with them now, since his home was destroyed. 

The novel gives us a realistic impression of how disruptive and destructive war can be in a city. There are ruined buildings all over; the tram, the public transportation system is no longer available; inflation is sky-rocketing; food is scarcer and the price of it is more than double prior to the war. People like Kenan, a clerical assistant in an accounting firm, no longer work and have to sell house appliances or other items to buy food; while those involved in the black market exploit others, have plenty of food, and drive new Mercedes. 

A commander named Nermin assigns Arrow the sniper the job of keeping the cellist alive while he plays on the street. 

The cellist and the music are a symbol of the necessity of mourning the dead and living in hope for the future of Sarajevo. 

Galloway addresses several issues regarding the realities of war, including: good and evil, the consequences of individual and collective actions, the fear of death, despair and hope, the eternal questions of why and how long in the face of suffering and injustice, to name a few.

Reflecting on the vulnerability of civilization, Dragan observes: “It needs to be built constantly, recreated daily. It vanishes far more quickly than he (Dragan) ever would have thought possible.” (p. 248) 

In his Afterword, Galloway briefly mentions some of the historical details of the 1992-1996 Siege of Sarajevo, and thanks all of those who inspired him and contributed to his writing and publication of the novel.

Reading this novel makes yours truly more grateful that we Canadians have been blessed to live in a peaceful nation compared to far too many other countries in the world. May we never take this peaceful blessing for granted!